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A limp attempt at recapturing the snarl and sex appeal of a bygone era’s gangster pictures, the film mostly feels like an excuse for big names to play dress up in fedoras.Stone isn’t terrible as Grace, the girlfriend of an infamous crime boss (Sean Penn) who starts to have feelings for the cop (Gosling) who’s helping to bring him down.It’s worth noting that her male counterpart, the guy breaking up with Mila Kunis, is Andy Samberg.Stone is clearly here as comic relief, and it’s telling that the movie (ostensibly a comedy) trusts her to carry that responsibility on her own.We’ve seen her play straight comedy parts, wacky supporting roles and femme fatales.
She’s too good to be the fantasy of some old white guys, and soon, she wouldn’t have to be. Check out the way Stone says, “He was a — but the one thing that does work is the relationship between Peter Parker and Gwen Stacy.
Stone and Samberg would have the opportunity to reconnect a few years later with her cameo in , analyzing morality, guilt, and the absence of God in the midst of a murder plot.
Stone’s role is crucial — she comes to understand just how troubled and dangerous her teacher is, and must take action — but the actress doesn’t bring enough gravitas to this drama.
She has crazy wigged-out hair and braces, but she’s also quick and goofy in a way that Mc Conaughey isn’t: This was right before the Mc Conaissance, back when he was still mailing in stuff like this. When the movie is looking for a final joke beat at the end, it goes back to her, the one person who consistently provided them.
is so stupid-funny-sweet that it’s impossible to resist.